Brazil: assume vivid astro focus @ the Bronx Museum and Street Artists Benefit

assume vivid astro focus

This news brought to you too late.  AVAF was at the Bronx Musueum for an exhibition of Brazilian art (Tropicália: A Revolution in Brazilian Culture).  I first became somewhat acquianted with his work as part of the Whitney Biennial.  AVAF created quite an impression among the exhibit-goers with a psychadelic room of art and sensory experience.  I would love to see more of his work in person.

I have oftern heard AVAF described as an individual (as described after the jump) and a collaboration.  I think it may be both under the artistic control and leadership of Eli Sudbrack.  The concept is interesting to me as a frequent skeptic of the “art scene.”  The name — although bringing attention to itself — is meant to deflect from the personality(ies) and identity(ies) of the artists, and the focus is the work itself.  I find this admirable, if not also a little gimicky, in that our art culture(s) and gallery culture(s) and museum culture(s) have become celebrity obsessed in the same way our mainstream culture has, and in the same vein we do not hold these celebs to any real standards.  We are just happy to be graced by their presence.  Of course, that is a generality but one I see making inroads at greater and greater speed.

This news is almost too late:  Gothamist brings us an invitation to a benefit for Brazilian Street artists, the proceeds of which are to be used to bring these artists to share experiences in New York.  I would love to learn about the end results of this collaboration.

The benefit is organized to raise funds for eight Brazilian street artists from São Paulo and Choque Cultural Gallery representatives to participate in a multi-tiered cultural immersion in New York City. Artists will raise awareness of Brazilian art and culture through community outreach and educational events. Projects include a public mural project, live painting demonstration and art exhibition, and Brazilian-themed celebrations. Proceeds from the event will go to BrazilFoundation and to support travel and lodging for the group of visiting Brazilian artists.

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Art: “Sexwork: Art Myth Reality” Exhibition @ NGBK in Berlin

beruf

Natalie Kriwy, image from series “Beruf: Prostitution” (Profession: Prostitution), 2004–2006, C-print, 31 1/2 x 31 1/2″.

Berlin
“Sexwork: Art Myth Reality”
NEUE GESELLSCHAFT FÜR BILDENDE KUNST
Oranienstraße 25
Through February 25, 2007

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Art: Hole In Your F$$$$$ Head

hole

Christopher Wool
Hole in Your Fuckin Head
1992
$1,696,000
Phillips, de Pury & Co.
Nov. 16, 2006

Art: Not just for the “qualified”

The following excerpted from Justin Ruckmin.  This well sums up the arrogance of the gallery/museum culture and the democratization of art and culture.  Thanks again to the Internet.

At the beginning of 2006 Barry Neuman, art dealer, remarked to Artnet Magazine:

I think it’s a safe bet that there will be 50 to 60 new and bona fide (i.e., seriously authored by qualified people) art world blogs by the end of the year.

… to which Kriston Capps, writer for the Smithsonian’s Eye Level blog responded:

“Seriously authored by qualified people,” [is] a sentiment totally contrary to the esprit de corps of the blogosphere. What’s in fact great about most blogs is that they are nonseriously authored by nonqualified people. By the best count I’ve read, there are around 400–500 art blogs in the nation. Assuming even half of those are updated regularly, that amounts to a virtual library of information about artists, trends, and institutions. Even if not all these blogs are of the highest quality, the cream rises—and distributes the best information from the lesser-known blogs. To a certain extent, blogs survive by this network. (…)

(…) Artists, professionals, and enthusiasts writing about art are in fact part of the “actual, hands-on, real-world art scene.”

It is true that art blogs are becoming more diverse, with institutions joining the ranks of the citizen journalist. (…) But even to the extent that museoblogs bring some unique expertise to bear on the subject, the blog model is still fundamentally one that the layman can do as well or better. In other words, I wouldn’t wait for the pros to come ’round on blogs before I started paying attention to them.

Photog: Ryan McGinley Exhibition

dan dusted 2002

The talented young photogrpaher Ryan McGinley is showing through February 10, 2007 at Peter Hay Halpert.  At 24 he was the youngest artist to have a solo show in New York’s Whitney Museum of American Art.

The work in the current exhibition is drawn largely from McGinley’s breakout one-man exhibition, also titled The Kids Are Alright, held in 2003 at the Whitney

Museum of American Art. Curated by Sylvia Wolf & organized in cooperation with Peter Hay Halpert Fine Art, the exhibit marked McGinley (now 29) as the youngest artist ever to have a solo show at the Museum. Other photographs in the gallery’s exhibition were first viewed in McGinley’s 2004 show at PS-1 MoMA.

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Art: Os Gemeos (the Twins)

I first learned of Os Gemeos while living in Sao Paulo.  Obviously they had made it by that point; my first viewing was a painted ceiling at the ultra establishment interior design show of Casa Cor.  Their colors and figures just grab your attention and won’t let go.  I would love to see more of their work.  A little search has come up with a few resources after the jump.

Also, from Deitch Projects

Os Gemeos (pronouced “ose zhe’-mee-ose.”) are two artists from Sao Paulo, Brazil. Born in 1974, they are identical twin brothers (Otavio and Gustavo Pandolfo) and their name translates to “the twins” in Portuguese. In recent years Os Gemeos have gained international notoriety for their unique works created on the streets of Sao Paulo. They also paint canvases, make sculptures, and are both graphic designers and photographers.

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Photog: Once again, Brian Ulrich

The details:
Exhibit runs until September 2.
Robert Koch Gallery
49 Geary Street, 5th floor
San Francisco, CA 94108

Flicks: Talkers are No Good Doers

From the email bag: 

Emily Tsingou Gallery
would like to welcome you to the screening of

Talkers are No Good Doers
a bodine/santore production

 

With
Jon Sklaroff
Johanna Parker
Charlie Santore

Cory Neevel
Diana Agron
Kori Newkirk

Written, directed and edited by
Julian Hoeber

Showing on July 5th 2006 18:00
Running time: 100 min.

More Background and clip. 

Bio and portfolio for Julian Hoeber.

IMDB.

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Art: Motomichi Nakamura

Motomichi Nakamura was born and raised in Japan; has lived in the U.S. and in Ecuador and currently works as a digital artist in Brooklyn, New York. We have seen his work as an illustrator in publications such as New York Press.

The Monster Series is acrylic on canvas, 188cm x 142cm (74″ x 56″).

I first saw this series on Josh Spear.

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Photog: Baby Suit by Phillip Toldeno

Phillip Toledano     
Baby Suit: The Possibilites of Thinking Out Loud
C-Print
30 x 30 in.

Info here.

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